And what you want to do is make people look.”
MARBLE NOTEBOOK FULL
“I tried to do full frontal,” she once said, “but I didn’t want to show blood, gore or anything to sicken, because people don’t look at it then. Her female figures remain clothed, and they tend to be shown from the side - they come across as daunting individuals with willful expressions and thickly muscled runner’s legs. As graphic as all this might sound, Rego, a celebrated Portuguese artist who died in June, at age 87, purged her images of potentially harsh bodily details. They lie in rumpled beds or crouch in corners, amid towels and bowls and metal pails, cast off by a medical establishment unwilling to help them.
MARBLE NOTEBOOK SERIES
The series consists of large-scale pastels that show women in the midst of self-induced, at-home abortions.
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It opened on Friday at the Javits Center, on an uncharacteristic note of feminist advocacy, thanks to a loan of 10 etchings that reprise Paula Rego’s now-historic “Abortion Series” (1998-99) from the Cristea Roberts Gallery in London. Last weekend, the best place in New York to contemplate abortion-themed art was the lobby of the Armory Show, that annual fair whose thronged aisles of art shoppers can make Bloomingdale’s seem like an oasis of calm. The change owes something to a mix of museum officials, blue-chip galleries, art fair administrators and young artists who grew up at a time when art that explored personal identity moved from the cultural fringe into the mainstream.
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Janson or other art textbooks, and you are likely to encounter countless images of beatific mothers, dimpled infants and a world in which pregnancies are not terminated.īut the subject of abortion, which historically was shrouded in shame and relegated to the realm of unspeakable secrets, has lately been gaining visibility in the art world. Check the walls of museums and flip through the pages of H.W. Wade in June.ĭepictions of abortion are still rare in the art-history canon. Yet another pressing topic in America has been curiously absent from art: abortion, which became all the more timely when the Supreme Court overturned Roe v. In recent years, a fashion for painting the human figure has preoccupied the art world, with an emphasis on race, gender and other urgent social issues.